Many of my artistic role models are African-American writers and artists. I am always intrigued to discover that a number of these black women are (or have been) married to white men, and have biracial children. On my notable short list: writer Alice Walker, poet Rita Dove, artist Betye Saar, and writer Jamaica Kincaid. Nowhere in their work do I find mention of their experiences as black women of biracial children. (Yes, I have looked, but please someone prove me wrong.) Rebecca Walker, Alice’s daughter, writes about her biracial upbringing in her memoir Black, White and Jewish. Lezley Saar, Betye’s daughter, deals with issues of biracial identity in her art. But where are the accounts of the mothers? Is it a mothering difference that they have considered in the same way that Jane Lazarre or Maureen T. Reddy have examined? Add to my list of admired black women artists, Kara Walker, whose solo show continues through mid-February at the Whitney Museum in New York. Walker who is known for “best known for her room-size tableaux of black cut-paper silhouettes that examine the underbelly of America's racial and gender tensions” has a biracial daughter with her former white German husband. The daughter in one of the artist’s video installations.